Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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william r clark
nansen och frederik fohansen lamnar fram for att forsoka ta sig till nordpolen

ID: 59234

william r clark nansen och frederik fohansen lamnar fram for att forsoka ta sig till nordpolen
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william r clark nansen och frederik fohansen lamnar fram for att forsoka ta sig till nordpolen


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william r clark

1829-1912  Related Paintings of william r clark :. | nedan | sturt och hans foljeslagare under kartmatning vid farden till det inre av australien 1844-45. | lantmatare i san fuanbergen i colorado 1876 | nansen har sjalv gjort den har teckningen av manringar och skuffmanar under en palarnatt i november 1893 | matterhorn ansags lange omojligt att bestiga trots att det ar ca 300 meter lagre an mont blanc. |
Related Artists:
John Thomas Serres
1759-1825 English painter, born in London in December 1759. He was the eldest son of Dominic (1722-93), a successful marine painter who was to be one of the founder members of the Royal Academy.Son of Dominic Serres. John Thomas Serres's colourful career began with landscape painting. He later travelled extensively, spending periods in Paris (1789), Rome and Naples (1790-91), before succeeding his father to the office of Marine Painter to George III in 1793. He worked promisingly as a painter (in both oils and watercolour) of sea-pieces in the European tradition, advanced in England by Phillipe Jacques de Loutherbourg. After becoming Marine Draughtsman to the Admiralty in 1800 he took on the less challenging employment of making drawings and elevations of the west coasts of France and Spain. This connection with the Navy was probably related to his appointment as drawing instructor at Chelsea Naval School, London.
Maujdar Khan Hyderabad
c.1866 r.1884-1911
Joseph wright of derby
1734-97 English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794).






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